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Interview with 614 magazine (a new Jewish women’s magazine) from September, ’09….

What is Jewish Yoga?

Class Description: We start with thank you. We say Modeh/Modah Ani upon waking, which is one big “thank you” for keeping me alive and waking me up, and go on to the morning prayers, which say thank you for opening eyes, mine and others, for straightening the bent, my body and others, for guiding my steps, etc. The prayers can be seen as an analogy for all humanity, but also for getting me out of bed and just, well, thanks. Then, after the grateful blessings, we say “wow.” All the Songs of Praise follow, the “wow” of the wonder of it all, and of God. We say “thanks” before we say “wow”! Isn’t that amazing? It’s an ancient “attitude of gratitude.” I use this map, which includes listening (shma) and studying/asking, this framework already handed down to Jews for thousands of years, to thematically and literally order the yoga movements of the class.

Why did you want to start your classes in Jewish yoga?

As a former professional dancer, and a yoga person and then teacher, I have always learned kinesthetically. I always felt like even my own spirituality was through my body, that somehow I felt a kind of God presence while focused on expanding, stretching, and playing with my own body’s boundaries. Taking care of and being aware of the body is a very Jewish attribute. (Even the Rambam said, and I paraphrase, “To know Torah you must care for the soul and the body; the soul is ranked first but the body comes first…”) It seemed natural to want to merge that way of learning with understanding Jewish concepts, beliefs, and prayers. It has been fascinating to uncover the rich history of movement within the tradition. From the present-day shuckling (swaying) in shul, to Torah processionals, to the time when David danced half naked in front of the Ark, and Miriam led the women into song and dance, movement and body consciousness have been a part of Judaism. Doing Jewish yoga is a way of reclaiming the body in connecting to God or your own personal version of Divinity. I also got tired of the headier textual study: Judaism is a lived religion, however orthodox a person wishes to embody it. The rituals include physically doing something to create spiritual connection. Doing Jewish yoga means physically understanding what it is to be thankful for girding Israel (us) with strength, or straightening our bent bodies—two prayers from the morning blessings. It means truly listening to our bodies’ responses to our own relationship to God and prayer (or as a friend says, “shma’ing the body”).

What do you think women get out of the classes?

I hesitate to label what women, as opposed to men, get out of the classes. It would be easy to say that women are more open to new ways of learning in Judaism, especially if you’re talking about more traditional Jewish learners and learning methods, since they were traditionally left out, but many men in my class are the first to groan and moan and express their eagerness to work with their bodies as metaphors for their own truth. Often, women are the teachers, so they get role models. And, when I teach in Orthodox circles, such as at Orot College in Israel, it is only women who take the course.

What was one of your best teaching moments?

I’ve been lucky to have had quite a few high points recently. One was when I was leading an Embodied Shabbat ceremony, working with my rabbi and a musician. We were following what I consider to be the main parts of a morning service, especially Shabbat morning: gratitude, praise, listening, and study/asking. These parts correspond to the prayer and song sequences of the morning service. The group got so involved in the gratitude part—which includes yoga poses, chanting, getting warmed up, and saying what they’re grateful for—that, quite naturally, the songs of praise, specifically the Nishmat prayer, thanking and praising God for the Breath of Life, came out of the crowd and into their bodies. I barely had to lead—just had to facilitate the natural expansion of the group’s energy.

But I must say the most humbling and exciting moments are when I get those students who approach me saying that somehow, in some way, what they did in my class brought them closer to their Judaism, or their souls. Surprisingly enough, some of the more religious women I taught in Israel had this reaction. I was pretty blown away. Those women are so in love with Judaism that they make the gender differentiation look almost inviting. So, for them to say this to me, a Conservative-born feminist Jew who looked into Hindu yoga for my spirituality before returning to Judaism, is a pretty big honor.

What is the most challenging aspect about teaching your class?

The first five minutes. Always. Getting people to let go of their expectations… of whatever… a yoga class, a Jewish experience, what dance is, what it means to be Jewish, or what it is supposed to look like. Usually by minute six, but certainly by twenty, we’re all ok with where we are.

How does your class help women connect to Judaism?

I think, again, because of the traditional ways in which women were expected to behave or pray, this presents an egalitarian concrete connection to Judaism that bypasses those more male-dominated approaches.

What one lesson/message would you like to share with our readers?

Judaism rocks. And rolls. I mean it. I am in my mid-40s and I envy what is around now for younger women and men who are seeking a spiritual Judaism, not a rote, watered-down Judaism. There is a lot out there to get connected to—eco-Kosher, environmental awareness; the Torah is a pretty amazing guide if you’ve found smart, spiritually aware, and holistically oriented teachers to help lead you. And there’s more and more of those teachers, and some of them are in their 30s and early 40s. Find them; Judaism needs you to continue its mission of bringing Heaven and Earth together—making the material, spiritual and leading the earth into better times. If not now, when? (Ok, got a bit soap-boxy there… but Hillel had it right).

When do you personally feel most Jewish?

On Friday nights. The small stuff—lighting candles, saying the blessings, watching my partner’s (and soon my step-) children tear at the challah like they’re Siberian refugees. And then, kibbitzing in shul on Saturday, mixing small talk with prayer. It is the ease of the material and spiritual that makes Judaism interesting. In what other religion is it written that a man is supposed to please his woman, and yes I mean sexually, especially on Shabbos, as much as possible? Got to admit, girls, we got pretty lucky on that one.

What question do you wish I would ask, and what is your answer.

Question: where can I go for cool Judaism?

Keep looking for good, plugged-in resources, like Elat Chayyim—the Jewish renewal spiritual center based at Isabella Freedman Jewish Retreat Center in Connecticut—with courses almost year-round. Romemu in New York—a place where there is yoga and meditation before the amazing chanting Shabbat service. Check out the Aleph Kallah—an every other year event, but an ongoing resource for teachers and ideas. If you’re an artist yourself, your local Jewish Federation probably wants to hear from you and how you can connect what you do with local day schools and Hebrew schools. Judaism needs young vital minds, bodies, and souls to keep falling in love with it, to find out about its desires for peace (yes, peace!), healing, and love; not just law, rules, and restrictions.

Jodi P Falk, MFA, CLMA
Jodi P Falk is an international educational consultant, choreographer, dancer, yogi, and teacher. Her work centers on the vehicle of movement and the arts to promote educational wellness, conflict resolution, proficiency, and personal and spiritual power. Visit www.dancingsoul.org to learn more about her program.

www.brandeis.edu/hbi/614

Michelle Cove of Hadassah/Brandeis Institute, editor of 614, an online magazine for Jewish women, and men, found my articles and asked me for this interview.

Please visit their site. I talk about what a Jewish yoga/movement class looks like, from my perspective, and how it varies in Orthodox and in Renewal communities. Also, I tell you why women, from a traditional perspective, are lucky in Judaism!

Recently I completed a residency at Heritage Academy, a Jewish day school in Longmeadow, Massachusetts. I first came to work only with the Judaic staff on bringing movement into their curriculum. I ended up not only working with the staff, but also with the middle school students finding ways to embody (and thereby enhance and re-member) their tefillah, or prayer.

MODES OF MOVEMENT INTO TEFILLAH

Three distinct modes of how movement and text, in this case the text of tefillah, were used with the middle school with varying levels of success. The three are: wordplay, the essence, and personalizing question. These are modes I have worked with in any situation using text and movement.

With the Asher Yatzar prayer, the one Jews say after going to the bathroom… yes, way… we used wordplay.

Wordplay
Wordplay is quite simple and literal. Find, or have the students find, key words in the text. These could be action words, (verbs), descriptors (adjectives), or just the main words that are repeated or have import in the context of the text. Using just these words, make either hand gestures (if students are sitting down), or body shapes, or even movements that describe these words. The students can do this in pairs, solo, or in small groups. Or, as we did in Asher Yatzar, we started as soloists, moved to pairs, and then worked with the whole group. Once the gestures or movements are made, then perform the movements while saying, singing, or having someone in the group say or sing the prayer.

Lesson 1A:
Mode: Wordplay
Text/Prayer: Asher Yatzar
Players: middle school students in Jewish day school

The Asher Yatzar prayer is one of Judaism’s most basic, literally. It is said every time one uses the toilet, right after washing the hands and leaving the bathroom. It is basic in that it deals with an act that is so basic, and is said in gratitude to HaShem for first making us in such wisdom, making us perfectly so that if one opening was closed, or a closing was opened, and they shouldn’t be, we wouldn’t be able to stand before HaShem in gratitude. Or to stand at all.

There were a few students in this class that didn’t know the prayer, or when or why it was said. The lesson plan was, and can be, the following:

1. Explain the prayer.
a. Write down various organs they couldn’t live without. (heart, brain, etc.)
b. Write down actions that if they didn’t do, they wouldn’t survive. (eat, sleep, go to the bathroom…)

2. Look at the prayer and choose most important words for the class.

3. This class chose openings and cavities, and blocks or closings.

4. Make a gesture with just your hands that shows both an opening and a closing at the same time.

5. Now choose a partner, and make a gesture with your arms and hands together that shows both an opening and closing at the same time.

6. Now see if the whole group can make a shape that is both and opening and closing.

7. Rehearse all three shapes and transitions from one to the other.

8. Recite the prayer, as a group, while first doing the solo, then duets, then the group. Recite the prayer first in English, then in Hebrew.

9. Decide as a group which gesture will be performed where in the prayer, which works as a solo, as a duet, as the group gesture? This may change the order: perhaps students want to start off as a group, and then become soloists, to signify standing alone before HaShem, or they might find key words that the gestures align with, such as Haloolim Haloolim with the duet gesture, to show how many of the cavities or openings are possible…

10. Decide as a group what the final pose should be. Perhaps it is whatever pose was the third one, or perhaps all stand Laamod lefanecha, standing before HaShem, and the rest of the prayer is recited standing still.

11. Ask the students if they understood the prayer in a different way.

a. Some of the Heritage students did not know the prayer, so they said they had learned a lot.
b. Some were more conscious of the meaning of the prayer, as normally they are taught it in Hebrew, and are focused on the words more than the meaning.
Some had stories to share about illness and being grateful when an illness is over: this has direct correlation to the Asher Yatzar prayer.

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Feedback from secular and spiritual arenas:

Secular:

“Keep this professor!”

“Jodi was super high energy, individualized the lessons for all of us, and was wonderfully flexible, supportive, and fun!”

“Jodi is the most inspiring professor.  She is always positive and is extremely knowledgeable in teaching children across the curriculum.”

“Jodi was one of the most motivated, kind, knowledgeable and helpful teachers I have ever had.”

“She was absolutely fabulous.  She taught us and encouraged us about how to use our bodies to enhance learning and express feelings.”

“She is excellent, engaging and inspirational.”


Spiritual:

“You have so much Light. I study these big words in the Torah, like Emet, and not sure where/what they are – you ARE them.”

“You showed me how to see everything as new, how to be grateful, and aware.”

“You showed us how to be connected to our soul – so, connected to our Judaism.”   We got deep into our bodies, but with a smile!”

“You give specific instructions for improvisation, so I can really learn and play.”

“For the first time in dancing, I felt my whole body breathing. I felt the air flow throughout my body.”

“I feel relaxed after your classes, like I can be and am myself.”

“I felt I had a place to meet myself.”

“You have such a big heart – that is what I tell everyone, and so we learned from your love.”

“You get from a teacher what she/he gives out, and you give love.”

Classes, residencies and workshops in dance, dance as a tool for social justice, finding your voice, and dance for vulnerable populations. Write to movingwisdom for more information, to commission a residency or to inquire about our schedule. Also…

Workshops and Residencies

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Dancingsoul

This class offers the absolute freedom of dancing from our souls.  Movement, improvisation, and personal or global story makes up the class that is freeing, invigorating, warming, and emotionally evocative.  We can dance out our fears, and sway in our dreams.  We can still our minds, and free our souls.

Judaism and Dance: Emuna ve Omenut

Grounded in the philosophy that as we are created in the image of the Divine, we create images, through the medium of our body, which are divine.  Emuna ve Omenut focuses on the ability of each individual to reach his/her divine self through movement, music, writing, and drawing.  Using either the text of Jewish scriptures, or the texts of our own souls, we discover our own creator inside the Creator.

Classes include movement, text study, drawing, discussion, and lots of fun.